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National Drama

Drama and Social Justice

Drama and Social Justice Theory: research and practice in international contexts

Much has been written within the tradition of drama education and applied theatre around the premise that drama can be a force for change within both individual lives and society more broadly. However, little has been published in terms of charting the nature of this relationship. By combining theoretical, historical and practical perspectives, this book unpacks and explores drama’s intrinsically entwined relationship with society more comprehensively and critically.
By Kelly Freebody and Michael Finneran. Reviewed by Helen Murphy.

Applying Commedia dell’Arte

Commedia dell’Arte has many different interpretations and incarnations: from Art Deco Pierrot-led romantic ballet, to masked and carnivalesque renaissance bawdy, and sometimes heavily politicised, comedy. It can be quite an uncertain thing to define both onstage and within the classroom.

Volume 11 Notes on Authors

Danny Braverman is a lecturer at Goldsmiths, specialising in TYA, participatory theatre and Disability Theatre.

Volume 11 editorial

At this time of national ‘lock down’ during the coronavirus pandemic, when the similarities to prison life resonate most strongly, it is entirely fortuitous that this issue of Drama Research publishes two articles whose focus of study is the use of Drama and Theatre with inmates in prisons: one in the UK and one in the USA.

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